The Not So Blank "Blank Page" : The Politics of Narrative and the Woman Narrator in the Eighteenth- and Nineteenth-Century English Novel (2007. XII, 150 S. 230 mm)

3,351.41 THB
ราคาสมาชิก
3,016.27
English

Product Description

A fascinating and underexplored feature of the English eighteenth- and nineteenth-century novel is that, whether written by man or woman, the «female»-narrated text codes and thematizes narrative travail. Female self-telling in these works is impelled and accompanied by psychic, rhetorical, even physical pain. This book focuses on this phenomenon, beginning with a non-essentialized definition of a «woman’s text.» Thorell Porter Tsomondo offers a fresh and useful frame of reference for understanding the tradition – present from the origins of the novel – of narrative from a marginalized position, a position instructed not just by gender but by class, colonial and postcolonial politics, and the exigencies of the narrative terrain itself.

Tsomondo (English literature and literary theory, Howard U.) employs a fresh perspective for studying female-narrated novels by defining a "woman's text" as one written by a man or woman that thematizes narrative travail. Drawing on the novels Moll Flanders, The Life of Harriot Stuart, The Memoirs of Emma Courtney, Jane Eyre and Bleak House, Tsomondo describes the way texts are gendered principally by their narrative locations, structures and operations within the narrative landscape. Annotation 2007 Book News, Inc., Portland, OR (booknews.com)

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