These stories have the virtue of taking the everyday lives of gay Trinidadian men utterly for granted in their searches for adventure, pleasure, self-realisation, loving contact and sex. Written with a sharpness of perception and in a variety of engaging personal voices, these narratives find room for humour, tragic haircuts, and a connection between tattoos and terrible poetry. But they also acknowledge very real fears in a society where there is still prejudice, discrimination and homophobic violence. The narrator of several of these pieces is a writer who wants to focus on the pleasures and inner dramas of these lives as the truth about gay experience. But there are also the stories of brutal murders reported with coy innuendo in the press. If he is tempted to see his lovers as characters in a witty fiction of manners, is this the novel that can be written in Trinidad? And since this is Trinidad, could the conflicted, self-hating Dorian really be a serial killer? But then when one of Bagoo’s writer narrators unwittingly alarms his writing buddies by the freedom of his gothic imagination, who knows what might be true. Not for nothing does the author include the singer Kate Bush with her Wuthering Heights in his acknowledgements. Bagoo’s stories offer a witty and incisive portrait of contemporary Trinidad in all its intersections of race, class and gender politics. Not least, they have a strong sense of place – Bagoo’s gay Woodbrook offers a fine sequel to V.S. Naipaul’s Woodbrook in his classic Miguel Street.
