Borders and Borderlands in Contemporary Culture

It is entirely appropriate that this book should be produced in Dundalk. Located on the Northern rim of the Irish Pale, this town has straddled a border for centuries. Over the past thirty years, it has come to be closely identified with violent Republicanism both by the Unionist community in Northern Ireland and by Constitutional Nationalists in the South. Against such a hostile background academics attached to the Institute of Technology there have bravely confronted and interrogated these processes which have so blighted the history not only of Dundalk but of places and spaces throughout the world similarly located.In a wide-ranging series of articles, perhaps the strongest message to emerge is that of border as limitation. The notion of border as a liminal space where worlds converge, new realities emerge and transcendence is possible rarely surfaces. Instead, the border as a physical manifestation of divisiveness is repeatedly explored. In a passionate statement of solidarity with the Palestinians, Lavalette describes the construction of the apartheid wall: “The wall is eight feet high and has a watchtower every three hundred metres. Although there are no maps, it is thought it could end up being close to one thousand kilometres in length by the time it is completed” (p. 18).Yndigegn shows how spatial borders gradually become mental borders such that, as visual borders disappear, new invisible borders appear (p. 33). The article explores the dualism of borders—simultaneously protecting those inside from external threats while also preventing those inside from reaching or engaging with the outside world.Ni Eigeartaigh takes up the duality theme in the exploration of individualism as a process either of liberation or one of alienation. Taking the title from an aphorism of Kafka’s “My Prison Cell, My Fortress”, she explores a view of contemporary society as repressive, and of its inhabitants as complicit in the repression. Drawing on a wide span of literature and